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Man loopt met volgeladen handkar op straat, Parijs, Ed van der Elsken, 1950 - 1954

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Man loopt met volgeladen handkar op straat, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-55-3

A black and white photograph captures a moment from what appears to be mid-20th century, judging by the attire of the individuals. In the foreground is an individual dressed in dark clothing with a coat hat, pushing a cart on wheels heavily laden with items that suggest it could contain personal belongings or perhaps discarded goods ready for disposal. The cart has large wooden spoked wheels and appears to be made from old-fashioned materials like wood and iron.

The street setting shows several people going about their business; some walking by, others possibly waiting at the edge of a public space. Buildings line what seems like an urban environment with shop fronts visible in the background. Overhead wires or cables suggest electric tramlines common during that era. The overall scene is busy yet orderly, indicative of daily life on a street.

The photograph's texture and grayscale tones convey historical weight, possibly from archives or personal collections reflecting European

#european #photography #fotografie #edvanderelsken #worldwarii #paris #parijs

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Straatartiest, Parijs, Ed van der Elsken, 1950 - 1954

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Straatartiest, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-55-5

The photograph captures a moment on an urban street, possibly in Paris given the caption information provided. A woman is prominently featured; she stands with her back to us, reaching up toward something above—a sign or poster board perhaps—her profile visible against the cityscape backdrop. She's dressed for cooler weather, wearing what appears to be a coat and gloves.

The setting seems somewhat desolate aside from the few cars moving in the background on an otherwise empty road. There are scattered remnants of broken glass along the sidewalk where she stands, implying recent unrest or conflict within this urban environment. The architecture is indicative of mid-20th-century European design with large windows and fire escapes.

The absence of vibrant colors due to its black-and-white nature suggests it may be from an earlier period in history, possibly documenting a historical event such as the German occupation during World War II which saw Paris under Nazi control between 1940

#european #photography #fotografie #edvanderelsken #worldwarii #paris #german #parijs #straatartiest

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Dakloze man wordt afgevoerd door twee politieagenten, Parijs, Ed van der Elsken, 1950 - 1954

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Dakloze man wordt afgevoerd door twee politieagenten, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-55-22

The image captures a scene from what appears to be the mid-20th century, possibly during or shortly after World War II. It features three individuals walking on an urban street paved with cobblestones. On either side of the middle person is another individual in uniform; one wears a hat and carries a sword at his right hip while holding hands behind their back, indicating they may be part of law enforcement such as police officers or security personnel. The attire suggests formality: dark coats, hats, trousers with belts featuring pouches, which could suggest roles beyond civilian status.

The central figure is being led by the shoulders and wrists; he appears to have a hunched posture and disheveled clothing indicating distress or fatigue. His coat is open, revealing his backside where it seems to be stained or damaged, adding to the impression of neglect or hardship.

In the background, there are various people going about their business: some appear in coats that suggest cold we

#photography #fotografie #edvanderelsken #worldwarii #parijs #dakloze

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Rij voor bioscoop Gaumont Madeleine in Parijs, Ed van der Elsken, 1950 - 1954

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Rij voor bioscoop Gaumont Madeleine in Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-26-41

The image depicts a crowded street scene in front of the Gaumont Madeleine cinema. A large, elaborate movie poster is visible on the side of the building above what appears to be an entrance or ticket booth where people are gathered and waiting. The crowd seems composed primarily of women dressed in mid-20th-century attire such as coats, hats, skirts, and dresses, suggesting a time period possibly during World War II era based on their style. Some men can also be seen among the group.

The poster features several figures posed against various backgrounds: one large figure with outstretched hands at the top left is superimposed over what appears to be an explosion or fiery scene; in the middle, a man in uniform and another person are depicted side by side on a backdrop that includes buildings. Below them, three individuals dressed in white coats appear alongside others who seem to represent characters from historical periods. The poster displays bold lettering with "GAUMONT" at the to

#photography #fotografie #edvanderelsken #italian #worldwarii #parijs #rijvoor #gaumontmadeleine #gaumont #madeleine #reneeclair

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Monument to the Defenders of the Coast, Westerplatte, Poland

On September 1, 1939, at 4:47 a.m., the German battleship Schleswig-Holstein began shell

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Monument to the Defenders of the Coast, Westerplatte, Poland

On September 1, 1939, at 4:47 a.m., the German battleship Schleswig-Holstein began shelling the Military Transit Depot at Westerplatte, a strategic military outpost on a peninsula at the entrance to the port of the Free City of Danzig. The Germans expected a quick capture of the outpost, possessing a decisive advantage: over 3,000 soldiers, 65 cannons, over 100 machine guns, and nearly 50 aircraft. Consequently, the Polish crew, numbering 182-225 trained soldiers according to various sources, was expected to withstand the attack for approximately six hours until reinforcements arrived.

The resistance of the Polish defenders proved much stronger than anticipated. Despite bombardment, artillery fire, and mortar fire, the garrison, under the command of Major Henryk Sucharski, managed to repel the attacks, utilizing numerous defensive positions and prepared bunkers. Despite constant air raids and shelling, the soldiers maintained high morale and determination. The fighting ended only on September 7th, when surrender became inevitable due to exhaustion of men, ammunition, and supplies.

The defense of Westerplatte became a symbol of the struggle for freedom and sovereignty, and its story is forever etched in Polish national memory as an example of courage and steadfastness in the face of overwhelming enemy odds.

The monument, unveiled on October 9, 1966, is one of the most important symbols of Polish history and the memory of the heroic defense of Westerplatte in September 1939.

More info:

https://www.youtube.com/watch?v=_pT-64R1cgQ

#photography #blackandwhite #monochrome #germany #bw #poland #polska #worldwarii #monument #ww2 #wwii #historia #pomnik #nazis #worldwar2 #germans #danzig #gdansk #wojna #niemcy #westerplatte #hisotry #iiwojnaswiatowa #nazisci

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Afbraak van de galerij, het laatste overblijfsel van het Paleis voor Volksvlijt, aan het Frederiksplein, Ed van der Elsken, 1961

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Afbraak van de galerij, het laatste overblijfsel van het Paleis voor Volksvlijt, aan het Frederiksplein, Ed van der Elsken, 1961

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-8-66

The image depicts a black and white photograph of a damaged classical archway with intricate decorations. Several figures are seen working on the structure, possibly in restoration efforts or removal tasks amidst rubble that surrounds it. The backdrop is an overcast sky above more architectural ruins, suggesting destruction which could be post-war debris from World War II when such structures were commonly targeted for demolition by aerial bombardments.

The photograph captures a moment of historical significance and human activity against the stark contrast between the resilience of people working within a scene of devastation. Additional text on the lower right reads "WERE IN DUTCH AGAIN," indicating that this might be part of an exhibition or series relating to Dutch heritage, possibly after liberation during WWII when such statements were common.

The image is credited as Afbraak van de galerij, het laatste overblijfsel van het Paleis voor Volksvlijt, aan het Frederiksplein by

#photography #fotografie #edvanderelsken #dutch #worldwarii #afbraakvandegalerij

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Vrouw naast politieagent op de Nieuwmarkt, Amsterdam, tijdens de kermis, Ed van der Elsken, 1958

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Vrouw naast politieagent op de Nieuwmarkt, Amsterdam, tijdens de kermis, Ed van der Elsken, 1958

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-19-11

The image is a black and white photograph capturing a moment on what appears to be an urban street. In the foreground, there are two individuals: a man dressed in military attire with medals pinned on his chest, including one that reads "VANGUARD," suggesting he may belong to a specific unit or division within a larger force, possibly during World War II era given the style of uniform and hat. He is holding some papers and appears engaged in conversation with another person outside the frame.

Standing next to him is a woman who seems intrigued by his presence; she has blonde hair styled voluminously typical of mid-20th-century fashion, wearing a sleeveless cream-colored dress paired with high heels. Her posture indicates attentiveness or curiosity as if she's listening intently to what he might be saying.

Behind these two figures are blurred individuals who seem indifferent to their interaction; one is in the background looking away and another seems engaged in his own activity,

#photography #amsterdam #fotografie #edvanderelsken #worldwarii #vrouw #denieuwmarkt #vanguard #visha

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Nieuwmarkt, Amsterdam, tijdens de kermis, Ed van der Elsken, 1958

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Nieuwmarkt, Amsterdam, tijdens de kermis, Ed van der Elsken, 1958

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-5-2

The image depicts a bustling street scene with various individuals and storefronts. In the foreground, there's an older photo of people on the sidewalk; one man is standing with his hands behind his back wearing military attire from what appears to be around World War II era uniform design—indicative perhaps of occupation forces given context clues like "US" signage—a woman in a light-colored sweater and skirt walks by. The street has brick paving, and multiple people are present going about their day; some appear to be soldiers or officials based on the uniforms one man is wearing.

Buildings with European architecture line the streets, including storefronts labeled with Dutch names like "SKOFFIE" indicating cafes ("coffee houses") common in Amsterdam's historic city center. One such establishment has an English translation sign saying "Lingerie BEJO," suggesting a mix of local and international goods or services offered at this location.

The image is black-and-white, which adds

#european #photography #amsterdam #fotografie #edvanderelsken #english #dutch #worldwarii #edvanderelskens #kermis #nieuwmarkt #skoffie

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Resettlement project located near Gainesville, Georgia

https://www.loc.g

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Resettlement project located near Gainesville, Georgia

https://www.loc.gov/pictures/item/2017763034/

The photograph is a black and white image showing multiple wooden signposts in an outdoor setting, likely part of a rural landscape. The signs provide directions to various locations including the "Entrance To Game Preserver," "Resettlement Administration," among others, indicating their historical significance related to land use for resettlement projects or game preservation during times such as after World War II when many were displaced.

The signpost with directional arrows is in focus and seems like it's meant to guide visitors. It indicates directions towards various administrative offices possibly located nearby the area that was part of a larger project aimed at providing homes, jobs, land grants for farmers who had been displaced by war or economic downturns.

In the background, there are trees and shrubs indicating an outdoor environment with natural vegetation which suggests this photo could have been taken in Georgia as per the provided link. The landscape is not urban

#photography #undefined #dorothealange #worldwarii #gainesville #georgia

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FIRENZE - UNA VEDUTA DELL'ARNO CON PONTE aS. TRINITA

-UNAVEDUTA

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FIRENZE - UNA VEDUTA DELL'ARNO CON PONTE aS. TRINITA

-UNAVEDUTA

https://fotografia.cultura.gov.it/iccd/item/FFC037525

The image is a black and white photograph depicting an urban riverside scene. A bridge with multiple arches spans the river in the background, connecting two rows of buildings that rise to different heights along both banks. Notable architectural features include the prominent dome atop one building on the right bank, resembling St. Peter's Basilica from another perspective. The sky is overcast with a few clouds and silhouettes of birds or aircraft can be seen flying in formation above.

In the foreground, there are two street lamps along what appears to be a pedestrian walkway next to the water. One lamp post stands prominently on the right side, its design classic yet elegant. A vintage car is parked by the roadside with pedestrians walking beside it, adding to the historical ambiance of the scene. The overall atmosphere suggests this photo was taken in an older European city, possibly during or shortly after World War II given the style and condition of the vehicles visible.

Th

#european #photography #ferrocandilera #toscana #firenze #stpetersbasilica #worldwarii

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